• Authors: Menene Gras Balaguer (Ed.), Jinsuk Suh, Manuel Saiz, Sumimoto Fumihiko, Johan Pijnappel, Yonghee Sung, Hou Hanru, Nekane Aramburu, Blanca de la Torre, Imma Prieto, Kentaro Taki, Susana Blas, Hyun-Suk Seo, Neus Miró , Yong-uk Lee, Carlos Trigueros, Abina Manning, Howard Besser, Lorea Iglesias, Ross Harley, Claudia Giannetti, Laura Baigorri, Virginia Villaplana Ruiz, Roberta Bosco, Stefano Caldana, Karin Ohlenschläger, Simon Maidment, Vikki Mclnnes, Vicente Matallana, Berta Sichel, Ángel Quintana, Yasuhiro Nishimura, Rodrigo Alonso, Jyotsua Kapur, Carlos Jiménez, Young-ro Ann Yee, Macu Morán, Eun-A Kang, Juan Ramón Barbancho, Biljana Ciric, Won-Kon Yi, Liz Hughes, Caroline Farmer, Huang Du, Miao Xiaochun.
  • Spanish | English
  • 978-84-936363-9-5
  • €15,00 | Soft Cover | 16.3 x 22.1 cm | 785 page
  • Ministry of Education and Culture, Casa Asia | Barcelona, ​​2012
  • Loop, Haier.

 

15€

Video production has ceased to have a merely experimental character and the new production and presentation formats have expanded, as have their interdisciplinary contents, marked both by the mutual approaches between video and cinema and by the development of new media technologies. the information and the comunication. This forces us to redefine practices and productions that respond more to the characteristics of an “expanded video”, which continues to investigate formats, modes of presentation and distribution, on which the future development of art largely depends. The numerical image and other technical resources related to software, graphic programs and synthesis images have potentially transformed the expressive and conceptual options of this image machine that we call video. This publication makes available to the reader a series of impressionable texts not only to construct the recent history of video art but to contribute to reflection on the medium and the format in which it is presented, as well as on contemporary artistic practices and their impact on current digital narratives. The volume is structured around the following sections: I. “Where are you from?”; II. “Locate and archive for another history of video art”; III. “Thinking about video: production and distribution”; IV. “The future of visual arts on the Internet”; V. “On the expanded field of the moving image”; and I saw. “The triple W. Case studies.”

For more information, contact email [email protected].